List of Artists in alphabetical order

Fran Tomlinson

Fran Tomlinson
ARTIST'S STATEMENT
 

Fran grew up in Ottawa, where drawing and storytelling were a natural part of her life.

She went to the Ontario College of Art, (now OCAD), graduating in 1985.

She concentrated on painting, drawing and sculpture across the various disciplines. For 20 years Fran worked as a Scenic Artist in television and film, etc., primarily in Toronto.

She has always been intrigued by the traditional themes of the masters being portrayed with a contemporary twist, such as finding pastoral images in a loading dock, modern transportation in a subway tunnel, etc.

She is currently a Kitchen Designer for Home Depot. Fran lives in Kanata with her husband and two very smug cats. Her paintings and sculptures are held in private collections, and can be seen at the Orange Gallery

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Crystal Beshara

Crystal Beshara
ARTIST'S STATEMENT
 

The more I paint, the more I realize how much my rural upbringing influences my work. It taught me to slow down, pay attention, listen, take in my environment and record every morsel on paper.

Even now, living in the city as a suburbanite, it is those years spent observing that persuade me to keep drawing and painting. I am always seeking to recreate those perfect moments and above all, tell a story and share the experience.

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Jeffrey McIntyre

Painting by Jeffrey McIntyre
ABOUT THE ARTIST

Jeffrey McIntyre began his career as a muralist. Criss-crossing Canada, he accepted numerous commissions for large paintings in Ontario, Alberta, PEI, Quebec and New Brunswick.

Later, McIntyre settled in Toronto, Ontario to establish a studio in the emerging Queen West Art and Design District. His work became recognized in the community leading to numerous commission pieces and exhibitions. McIntyre's paintings are in many important private collections in Toronto-Ontario, Montreal-Quebec, Providence-Rhode Island and New York-New York.

Most recently, McIntyre has relocated his studio to St. Pierre-de-Wakefield, Quebec surrounded by the wonderment of the mountains, streams and a crystal clear lake. This special place enables him to step outside of modern life to study and work.

ARTIST'S STATEMENT
 

The Val-des-Monts Series consists of mixed media on canvas. Themes that surface are regeneration and fulfillment as they relate to nature. The paintings are a discovery of how landscape reveals itself as a metaphor to the human experience.

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Hilde Lambrechts

Painting by Hilde Lambrechts
ARTIST'S STATEMENT
 

Hilde Lambrechts' background in science, her social engagement and her love for thought and language are reflected in both her sculptures and drawings. A recurring theme in her work is the dominance of humans and the destruction of other species. Through the strong message contained in her artwork she aims to ignite conscious thought in, and communication with her audience.

Hilde's stone and ceramic sculptures are reminiscent of the natural world in the broadest sense. They are often hollow or perforated, and depict a remainder of life that once was. Her human figures are shaped into massive beings and frequently lacking arms and legs. Their dominant appearance is further emphasized by long robes.

Hilde's stone work is characterized by strong lines, simple shapes with few details and a contrast between polished and non-polished areas and/or different chisel techniques. Her ceramic sculptures are more complex and detailed, often with structured surfaces and/or a bold use of colour. They are inspired by the beauty of biological structures; beauty can even be found in the skeleton of life.

Hilde's pen and ink drawings are an invitation to think about the problems we face as a race, from our disconnection with the earth we live on to the social and economic consequences of our time. Climate change, overpopulation, war, pollution, the depletion of resources, and the economic malaise are an every day reality, as is our response with consumerism, health problems, denial, indifference, despair or escape. Hilde's drawings are wake-up calls in black and white, or 'think' drawings as they show a detailed puzzle of visualized associations with the theme. Recurring symbols like steps and ladders, (broken) nets, doors, apples, light bulbs, fish, spider webs, mazes, curtains, laundry lines, checkered floors and climbing plants stand for career seeking and education, (false) safety, opportunities, knowledge, ideas, trophies, control, lost control, secrets, exposure, play and growth respectively. Clocks and bombs add urgency to the situation, whereas the hidden puns and the twisted perspective underline the madness of it all.

The accompanying word sketch/poem illustrates her train of thought and completes the pungent message that change is needed.

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Monika Seidenbusch

 
ARTIST'S STATEMENT
 

I like to paint as to tell a story, with a character, a setting, and a mood. I like my work to bring out a sense of peacefulness, atmosphere, simplicity, life and beauty.

My style is detailed and realistic when drawing; and freer and abstracted when painting. I prefer to portray the human form, but also enjoy illustrating botanicals and painting abstracts.

Having been inspired by the simple lines of Matisse, the colours and exaggeration of Modigliani, the sculptures of Henri Moore and the technical accuracy of many of the old masters, such as Charles Bargue, I combine what I have learned to refine my art and bring out the essence and beauty of nature.

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Gwendolyn Best

Painting by Gwendolyn Best
ABOUT THE ARTIST

Gwendolyn Best was born in Montreal, but grew up in Boston, Massachusetts. She received her BSc (Arts) from Skidmore College in Saratoga Springs (New York), in 1974. Over the past sixteen years, Gwendolyn furthered her artistic training in drawing, painting and sculpture at the Rudolf Steiner Institute in various colleges in New England. She has exhibited in Canada and the U.S., and has received numerous commissions to paint murals in private homes, as well as in several Ottawa Waldorf schools. Gwendolyn has taught drawing, watercolour and acrylic painting techniques and art history to both adults and children. Gwendolyn had avoided using black in her painting for many years, but now likes the abstract sign-like quality of a black figure on a simplified yet nuanced ground. Her influences include Rudolf Steiner's colour theory and the work of Francis Bacon, Edward Hopper and Charles Burchfield. Gwendolyn likes to paint intensively, often for a whole day at a time, including well into the evening, without stopping. Her work is found in private collections throughout Canada, the U.S. and Europe.

 
ARTIST'S STATEMENT
 

There are two aspects of painting which hold a particular interest to me. The first are the qualities of the different colours, individually and in balance with each other. Colour itself is a reason to paint. The second aspect is form, in this case, the form of a creature, be it cat, crow or rat, and how that form speaks of the subject's inner nature. The colour black is an interesting one with which to express this form. It is an impenetrable colour, both mysterious and protecting.

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Shannon Whittle

ABOUT THE ARTIST

Shannon Whittle graduated in 2005 from the Ontario College of Art and Design with a concentration in Industrial Design. After graduation, Shannon performed risk assessment and risk management on consumer products within a scientific and regulatory framework, for the federal Department of Health. In 2009, Shannon made a career shift and committed to a full-time fine art practice. Since then she has participated in a number of outdoor art fairs and exhibited work in galleries in Ottawa and Kingston. Shannon currently teaches art to young children at a local Ottawa community centre, focusing on experimentation with materials and processes of paint, collage, printmaking, and construction.

 
ARTIST'S STATEMENT
 

My goals as a painter are constantly in renewal in order to challenge myself and find different ways to present ideas. My education in product design manifests as an exploration of the interplay between natural and manufactured object and spaces, and the ways in which mass-produced objects and refuse are connected. I am also interested in the nature of work and labour and the often simultaneous heroism and victimization of the worker. My practice also includes expressive figures studies and simple visual explorations of everyday objects and scenes.

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Charlene Lau Ahier

Painting by Charlene Lau Ahier at Orange Art Gallery
ABOUT THE ARTIST

Charlene Lau Ahier worked for many years in the aerospace industry before being turning to painting and drawing, both longtime passions. Her engineering background has always fed a kind of visual questioning of the world around her, from which she draws inspiration.

She studied painting at the Art Student's League (New York) and in France, in the ateliers of renowned classical realist painters Jeremy Lipking, David Leffel and Rita Natarova, and most notably with modern master H. Craig Hanna, whose work left an undeniable mark. Living in Paris for several years and studying at the Académie de la Grande Chaumière, she was encouraged to work primarily from life and to develop new ways of seeing based on the work of the great masters.

Building on these traditions, she aims to capture the experience of everyday life and to convey it with an intensity and immediacy that resonates from the basic truth of human existence. It is in this intimate exploration, particularly of the human figure, that the work mysteriously takes on a life of its own.

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Julie Berthelot

Julie Berthelot
ARTIST'S STATEMENT

  The first painting of my Urban Forest Series was made because I needed something modern looking, with a bit of a retro feel, to hang in my apartment. I also wanted to get away from the meticulousness of the realistic artwork I'd been doing up to that point, and just let go with something free.

The idea was to make something completely abstract, but it ended up looking like trees.

This was a couple of years ago and, more recently, I thought it could be a series. I love the idea of large paintings taking up a lot of space on the wall, creating the illusion that you are at the scene; in there with the trees and looking through them into a landscape in the distance.

They suggest a feeling of being in nature while bringing character, texture and a modern look into a space.

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Nic De Socio

Nic De Socio  
ARTIST'S STATEMENT
 

Each composition depicts a balanced relationship between spacious, free-form colour-scapes and modern urban cartography. Although the compositions are non-representational, they are suggestive of the architectural urban fabric of cities. Using the formal medium of oil and acrylic paint, each composition evolves with no preconceived idea of the final result. Instead, the paintings take shape through the gradual process of layering and buildup of colour.

As the compositions are created, forms are continuously evolving, taking shape as more layers are added and removed. The methods of framing, screening and carving demonstrate the paradox of spatial depth upon the flat surface of canvas. As each painting unfolds, forms are defined, revealed and revived until the composition is in harmonious discordance.

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Benjamin Rodger

ABOUT THE ARTIST

Benjamin Rodger was Born and raised in Ottawa, Canada. He moved to Montréal to obtain his BFA at Concordia University. Rodger continued his art studies in Europe and completed his MFA at the "École nationale supérieure d'art de la Villa Arson' in Nice, France.
His work has been shown across Canada, Europe and the Middle East. Rodger represented Canada as the 'Official Painter' at the Francophonie Games held in Beirut in October 2009. Last summer he was an invited artist in PEI for the Canada Games and the Acadian celebrations. 'Pop Shop' is the third solo show in 2010 for Benjamin Rodger. 'Nice Paintings' exhibited at the Maison de la culture de Gatineau and 'Paintings for squares' at the Ottawa School of Art Gallery in the Shenkman Arts Center. Rodger has been selected by Bluesfest 2010 as one of the ten painters to be part of the "Portraits of Bluesfest" project this summer in Ottawa.

 
ARTIST'S STATEMENT
 

My latest series was first based on appropriation of patterns from different sources (wall paper, fabrics, clothes) and the relation they have with contemporary painting. These patterns were then reproduced in paint. What arises with this reproduction is a conversation between the painting as an object, paint as a material and painting as a gesture. What happens when the imitation is imitated by the thing it is imitating?
The second phase of this project was to complete these paintings with a photo-based figurative subject. Although, at first glimpse, these two genres seem to clash (acrylic/oil, decorative/figurative, low/high brow) they do question painting in the same kind of way: imitation as painting and painting as imitation.
Another important attribute in painting is pleasure: having pleasure painting, receiving pleasure from the painting and the painting having pleasure with itself. I chose subject matter that (although it has roots in art history) is largely based on popular culture, illustration and the people that surround me.

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Bill McCann

ABOUT THE ARTIST

Bill McCann paints mostly with oils on canvas, paper, wood and glass. His art has a strong commitment to narrative, colour and energy. Although his style and subject matter are uniquely his own, he is influenced by Fauvism and German Expressionism.

Bill McCann has had a number of solo shows in Ottawa in recent years. His paintings are part of private collections across Canada, United States and Australia.

In Ottawa, his works can be found in The Library of Parliament and the Shirley E Greenberg Women's Health Centre.

Watch his Video on YouTube

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Violeta Borisonik

Violetta Borisonic
ABOUT THE ARTIST

After obtaining a degree in Visual Arts from the Ottawa School of Art, I kept working in my studio as a mixed media artist exploring the urban landscape of the big cities. In the last years my work has evolved into a more geometric abstract style showing a strong influence of my background as an Architect.
My work has been exhibited at Ottawa City Hall, Atrium Gallery, L'Imagier, Cube and the Schenkman Centre among other galleries. I have been teaching printmaking workshops in schools through MASC (Multicultural Arts in Schools and Communities) for the last several years.
I am a member of: Ottawa Mixed Media Artists, the Kanata Civic Art Gallery and the Kanata Artists Studio Tour.
Recently I resumed jewelry making, a passion that started many years ago when I was still living in Argentina.

ARTIST'S STATEMENT

  With each one of these works I offer the genesis of a new language able to relate whole stories through forms, shapes, colors and textures. Instead of words, I choose dynamic geometrical patterns that echo urban landscapes. Like words that can evoke deep emotions, beliefs, and memories, my visual messages, can provoke a similar cascade of experiences, recollections, and feelings. Thus I see my works as being akin to poems. Each component interacts with the others in an endless and harmonious dance and, through this constant flow of energy, the viewer is invited to engage in a visual dialogue that transcends ordinary language but which can be equally powerful and immediate.

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Ingrid Hollander

Ingrid Hollander
ABOUT THE ARTIST

Ingrid Hollander was born and raised in Arnprior, Ontario, and now resides in Ottawa. She received her Bachelor of Civil Engineering from Carleton University and then worked for National Defence as both an enlisted member and a Civilian for many years. All throughout, her true passion had always been art and architecture so she began to buy old homes in Ottawa and fix them up to make them beautiful. Her success in this area led naturally to a career in interior design which she still practices today.

As an artist, Ingrid Hollander has been painting for most of her life beginning at the early age of 10. She began as a watercolor artist but has experimented with many mediums over the years. Her latest series of pop inspired cut-out pictures are sheer fun and give a nice alternative to rectangular paintings. Ingrid and her husband Matthew Jeffrey are the founders of Orange Art Gallery.

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Megan D'Arcy

Megan D'Arcy
ABOUT THE ARTIST

Megan D'Arcy is a self-taught artist who was born in Ottawa, Ontario in 1973. She studied Classical Studies at Concordia University in Montreal, Quebec.
Her art is an expression of passion-fluid, dynamic, and unconstrained. People connect in different ways to the passion in her work. Some find her work visceral, while others find it contemplative. Her paintings are unpredictable and no two people will look at one piece the same way. She likes to explore different media and experiment with different styles and techniques. Her works often incorporate photography, collage, acrylic and resin. Her use of these materials evokes a sense of energy within the urban landscape.

 
ARTIST'S STATEMENT
 

I think art should be provocative without being pedantic. I like to create images that lend themselves to broad interpretation. I invite people to draw their own conclusions from my art.

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Stephen Frew

Stephen Frew
ABOUT THE ARTIST

Born in Calgary, Alberta, Stephen Frew spent most of his childhood in Calgary's suburbs with a brief stint in Great Falls, Virginia. At the age of 16 he and his family moved to Easton, Connecticut where he graduated from Joel Barlow High School.

 
ARTIST'S STATEMENT
 

Unable to stay away from Canada for long, he returned to attend the University of Calgary and live with his older brother Scott. During his first year of University at U of C Stephen tried a mix of courses to decide what felt right. A photography class led to his decision to pursue Fine Arts. He studied a variety of fine arts including printmaking, photography, sculpture, drawing and painting. In 2002 he graduated with a Bachelor of Fine Arts with Distinction and a major in printmaking.

In the years that followed, Stephen participated in several art shows including a solo show entitled, "Portraits of Him" at Gallery San Chun in Calgary. Unsure about his future in the fine arts, in 2003 Stephen enrolled in the Vancouver Film school to explore new and more modern media. Missing the individual expression and intimacy of the traditional fine arts methods, he left after completing the foundation one year program.

Returning to fine arts studies, Stephen pursued a Master of Fine Arts (MFA) in Studio Arts at Concordia University where he again concentrated his studies on printmaking, specifically intaglio. Following his thesis show entitled "I am not archival", Stephen graduated from Concordia's MFA program in the summer of 2009.

Today Stephen continues his love of traditional fine art as a professional artist in Ottawa, Ontario. His current work is mainly figurative using a variety of media including oil, acrylic, india ink and pen. He is strongly influenced by the work of many great 20th and 21st century artists including Francis Bacon's use of darkness, colour and the flux between abstraction and figure, Lucien Freud's brushwork, texture and examination of flesh, and Egon Schiele's line, colour, distortion of figure and examination of self. He is also an admirer of Kathe Kollwitz's dark and honest drawings and prints as well as Gerhard Richter's abstract paintings.

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Jerome Maggiore

Jerome Maggiore
ABOUT THE ARTIST

Jerome Maggiore has been painting for most of his life. He began exhibiting and selling his work in galleries in 1982. He has participated in solo shows, group shows and gallery exhibits in Canada and Italy. Many of his works now hang in private collections in Canada, the United States and Italy. His art exhibits a provocative quality that captures the viewer's attention and engages the senses. The use of colour, images and composition are designed to make observers think and interpret the symbolism through their own experiences. He encourages viewers to engage with the artwork by exploring their personal interpretation to each piece. This is definitely the best way to experience Jerome's artwork.

 
ARTIST'S STATEMENT
 

The subject matter I paint must reflect the feelings and passions that drive my curiosity and sense of wonder. I explore situations in my life, sometimes real, sometimes fantasy. When a particular experience touches me and ignites my imagination, I then attempt to create a representation of that experience. Some of my paintings delve deep into the human psyche, others are lighter in meaning but still require the viewer to engage and interpret the piece through his own experiences. I try to capture the honesty of the moment and allow others to witness and interpret that moment through their own feelings. If one of my paintings manages to capture your attention and evoke your emotions, then I have succeeded as an artist.

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Anita Utas

Anita Utas
ABOUT THE ARTIST

Anita Utas was born and raised in London, Ontario, and now resides in Ottawa. She received her honours Bachelor of Arts degree in Art History from the University of Western Ontario, where she studied under Paterson Ewen and Duncan de Kergommeaux, and she completed coursework toward her MA in Art History at Queen's University in Kingston. In 1993, she completed her Bachelor of Education at the University of Western Ontario. After working as an art teacher in London, Ontario, Anita traveled overseas and spent seven years teaching in international schools in Japan, South Korea, Singapore, and Venezuela. She has traveled extensively and draws upon these experiences as inspiration for her landscapes. Anita's work is available through the Orange Gallery in Ottawa, the Robert Macklin Gallery in Kingston, and she is a juried member of the Foyer Gallery, an artist run space in Ottawa. Her work has been shown in many venues in Ottawa and the surrounding area, and is part of private collections in Canada, the U.S.A., and Europe.

 
ARTIST'S STATEMENT
 

My landscapes seek to capture ephemeral moments recalled in nature; the brief period when the day moves from evening towards dusk, the way the sun illuminates a mountain range, the lifting of a storm. I am drawn to the calming forces of far off vistas; landscapes that are beyond simple visual identification. Through my work, I wish to offer a respite from our urban, tethered existence. We enter a work of art to divest ourselves of our physical limits; the closed spaces we have created in our lives and minds. A painting becomes a place where we can explore and experience what we are seeking, be it a communion with nature, or an inner dialogue that helps us come closer to an awareness of ourselves and our place in this world. 

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Jay Li

Jay Li
ABOUT THE ARTIST

Jay Zhi Jian Li, Chinese Canadian, was born in Guangdong province, China June 14, 1962. Mr. Li graduated from Fine Arts Academy of Guangzhou in 1985.

From 1985-1989 he was teaching in Fine Art Department of Teacher College of Guangzhou. From 1989 to 1996, he traveled and resided in Australia and Europe. He worked at Nikos studio in Melbourne from 1989 to 1990 and his broad interests in oil painting were further developed. During his stay in Europe, his works have been exhibited in several countries. With paintings in collection in United States, Greece, France, Holland, Switzerland, Germany, Japan, Australia and China . Li moved to Canada in 1998 and has been living in Ottawa, national capital region of Canada.

 
ARTIST'S STATEMENT
 

How can one excel in work or in art? This can only be achieved by respecting others, regardless of their social status, by learning from them and working hard. This is the basic philosophy and strength of Jay Li.

During the Cultural Revolution, when he was sent to the Countryside as a student, he used this experience to understand nature and the hardworking farmers better, a first important influence on his nascent painting. This broadmindedness and lack of prejudices helped him when he traveled to the western world, never rejecting, as a matter of course, his basic Chinese roots and information. Jay Li 's "Chinese period" works are obviously in conformity to this tradition : a world of trees, of birds, with a very restrained use of colours. Browns on browns, with a very few touches of other colours, were often his signature. Later, his vivid interest in the wide world brought him first to Australia , then to Greece, where he could deepen his passion for ancient civilisations, and finally to his second home town Canada. Jay Li feverishly visited museums, galleries and collections to absorb as much as much a he could from a different art , an art based first of all on individual expressions. So somewhat, this reflects the path of Jay Li, who, through those stages, found his own individual expression, one of rigor. A religious atheist. Unadorned, unpretentious, simplified treatment of features, Omnipresent geometry, colors rhythmically distributed. Large, generous brush, outlined forms. Frames within frames, where The main subject blends with the whole picture. And the constant, Sometimes major recourse to the color black, an innate reference to the Chinese black ink. Inverted mirror of the inner light of the artist.

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Frank Prendergast

Frank Prendergast
ABOUT THE ARTIST

A third-generation Carpenter, Frank was first bitten by the bug at age ten when he built a scale-model house. By the time he was 18, Frank had opened his own woodworking shop and was supplementing his hands-on experience with design and architecture courses at Carleton University.

Over the years Frank has applied his unique blend of Innovative design skills and superior craftsmanship to a full range of building projects from custom homes and large-scale renovation projects to complete commercial and residential interiors. With the "big picture" always in mind, Frank brings his conceptual flair, unwavering eye for detail and exacting standards to every project, using elements such as cabinetry and complementary accents that combine a variety of traditional and cutting-edge media including wood, fashioned concrete, plastics, steel and glass.

In all of his work, Frank is committed to meeting his clients' aesthetic and functional requirements, but without being limited by formal, established approaches to design and construction. His passion for the unexplored and experimental serves his clients well providing them with exquisite, one of a kind building solutions that work! Some of Frank's projects have been featured in Canadian design and building publications.

An independent thinker, Frank also enjoys collaborating with architects and designers and has worked successfully with a number of area professionals. He takes pride in producing outstanding results for his clients.

 

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Heather McTavish

Heather McTavish
ABOUT THE ARTIST

Largely a self taught painter, Heather McTavish began a dedicated exploration of portraiture 10 years ago. It was at this time that a move to the Ottawa Valley provided the time and space needed to grow her style and technique of large scale portraits. Beginning with the most readily available model, over a five year period, Heather painted a series of self portraits. Through this journey of self exploration she discovered that a mere painted resemblance would not be sastisfactory. That in order to evoke an emotional response in the viewer she must capture the mood and essence of a personality. Thieve the soul and tell the story in colour that lays just beneath the surface of the rosy flesh. Having exhausted the use of her own image she moved on to the next most readily available subject matter, her daughters. For the past two years she has been a participant in the Perth Studio Tour where these paintings have been shown, among other local Valley venues.

 
ARTIST'S STATEMENT
 

In the creation of my portraits it is with great pleasure that I put brush to paint and push it around the canvas to unfurl the individual mood and character I see lurking in the faces around me. There upon revealing, with the aid of colour, light and shadow the flotsam and jetsam of everyday life that culminates in the visage we so bravely present to the world each day. The scrapes, cuts and bruises that so loudly present themselves on the surface, while quietly simmering beneath are all our secret joys and disappointments. The sorrow that stays afloat in the dark blue pool of tear laden eyes. The sweet secret joys carefully tucked away in the pink corners of a smile. Endless tales of endurance raked into the shaded furrows of a brow, all these colouring the story of the individual. Cover it still with the fashions of the day, familiar items of adornment chosen to further define ones self in a specific moment of time and we have expressions captured forever in the permafrost of paint and canvas, the portrait.

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